Youth Advocates Through Theater Arts (YATTA)

Year Founded

2005

Setting

Community-Based

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About Us

Vision
A society where everyone respects and protects the rights of children and young people.

Mission
To raise people’s awareness and challenge them towards action

Goals
To raise youth consciousness on significant socio-cultural and political issues;

To contribute to the development of the
creative potentials of young people;

To produce meaningful artistic products
especially using theater;

To train young people and communities in
creative methodologies for advocacy.

Guiding Principles / Framework:
PAGASA

PA – Pananampalataya (faith), Pananaw (viewpoint), Paninindigan (conviction), Paniniwala (belief)

GA – Galing (artistic skills), Gawa (action)

SA – Sarili (self), Samahan (others)

Founders and Leaders

Dessa Quesada Palm

Email

dessaqp@gmail.com

Latest Productions

Author: Aldrian Baruc & Onna Rhea Quizo
Year: 2021
Genre: Short Advocacy Play
Synopsis:
After witnessing the discrimination of her peers in school towards her mother on the basis of her cultural identity as an indigenous person, Martha decides to take matters into her own hands to protect her family. She will assert that having naturally dark complexion and curly hair is beautiful, and she will prove this by competing and determinedly winning the school’s Inagta Festival Queen. Martha is confident she can win especially with the help of her best friend, Bea, who has been competing in pageants since they were eight years old. Bea knew of Martha’s desire and initially assured Martha of her support. But at the last minute, a family crisis compels Bea to join the competition for the sake of its financial rewards. The scene opens in a classroom turned dressing room where Martha regales of her plans for the beauty contest to Bea. A pageant trainer unexpectedly turns up and inadvertently reveals Bea’s similar plans for the pageant, throwing off Martha who had no idea of Bea’s intentions. Tension immediately ensues between the two friends, and both argue on why they are better justified to compete on the basis of gravity of their respective situations. Bea leaves the room exasperated and declares she will just give up the competition. Martha is triumphant, but a schism between her and Bea weighed heavy. Her mother, Linda, enters and immediately senses her daughter’s unease. Martha confronts her mother about the bullying that she has experienced, and her frustration about her mother’s passivity. What Linda shares would lead Martha to rethink her own decision.
Author: Hope Tinambacan & Nikki Cimafranca
Year: 2021
Genre: Mythology Musical
Author: Junsly Kitay & Hope Tinambacan
Year: 2020
Genre: Short Play
Author: Benjie Kitay
Year: 2019
Genre: Short Advocacy Play
Synopsis:
Alrey is an 11-year old son of a fisherman who grew up fascinated by the sea. He loves the sea and the colorful life underneath. He found a patch of blue corals underwater and began to get attached to them like his playground. Trouble begins when a bright ominous light appeared near the shore and began to extricate Alrey’s blue corals, until only one was left. With his friend Ranil and sister Leah, they investigate the problem of the stolen corals. Their plan is complicated by two other kids, Floramae and her sidekick Pauline, who accuses Alrey of stirring the waters and disrupting the life of their favorite fish they named Gooldie. The fight was short-lived as they all realized there was a bigger threat looming. Alrey and the four other children create a plan to Save the last Blue. Their plot to defend the last coral would have a long-lasting impact on their lives.
Author: Mellard Manugura & Aldrian Baruc
Year: 2019
Genre: Mythology
Synopsis:
Stories of the Region is a 90-minute fantasy play staged in three islands in Central Visayas, namely in Negros Oriental, Bohol, and Cebu, by three youth and community theater groups in the region: Youth Advocates Through Theater Arts (YATTA) from Dumaguete, Kasing Sining from Bohol, and the Guang Ming Institute of Performing Arts from Cebu.
It is an anthology of three stories written and mounted by the participating groups in the three islands. Using the Visayan mythical creature sigbin, the stories raised awareness on the following local issues: urban development, human trafficking, and heritage erasure.
Author: Hope Tinambacan & Nikki Cimafranca
Year: 2018
Genre: Mythology Musical
Author: Dessa Quesada Palm & Benjie Kitay
Year: 2017
Genre: Short Advocacy Play,
Synopsis:
In a shelter for rescued children, two girls are drawn to each other while at play. They soon discover that they are both from Dumaguete City. Amor tries to get the shy Lina to warm up to her. Amor regales her with memories along the popular Boulevard, and the stories of her grandmother about Dumaguete’s past, and how it got its name from Dagit, which means to snatch, to indicate the city’s history of its people being snatched by sea pirates and brought to Borneo as slaves. When Lina gets visibly upset by the stories about the pirates, Amor comforts her with her grandmother’s lullaby and assuring stories of the patron saint Sta. Catalina and her legion that protect their shores and their people. The reminiscing of the two is interrupted by other children who egg them on to prepare for their arnis practice, a traditional stick martial arts. And as they begin their practice, the sound of the sticks falling brings Lina to a different place, where she recalls the flash-flooding in her village, their post-disaster despair, and how children were led to modern day slavery of child trafficking.

Author: Hope Tinambacan & Junsly Kitay
Year: 2016
Genre: Musical
Synopsis:
The beloved musical theater production Scharon Mani, first performed in December 2015, will be restaged at the Silliman University Luce Auditorium on Nov. 18 (8 pm), 19 (10 am and 8 pm), and 21 (3 pm and 8 pm), 2016. Bringing together talents from eight different schools, the production is a partnership between the Youth Advocates Through Theater Arts (YATTA) and the Bell Tower project and hosted by Silliman University.
The play centers on the character of Charlene, a girl who sells pork rind and peanuts (chicharon and mani) to help her family. As she intersects with the lives of other young people, her love for music and her family brings the community together to help her pursue her dream.
The play, written by Junsly Kitay, is directed by Dessa Quesada Palm and Earnest Hope Tinambacan, with choreography by Nikki Cimafranca, musical direction by Juni Jay Tinambacan, stage design by Aziza Daksla, and lighting design by Loren Rivera. It features popular songs from the BellTower Project including those of Enchi, Hopia, Willfreedo, 5VOLTS, Elijah, Finpot and Empithri.
Author: Nikki Cimafranca, Junsly Kitay, Hope Tinambacan
Year: 2015
Genre: Musical-Advocacy,
Synopsis:
After performing its original musical theater production Aah Bakus! (The Belt!) for thousands of audiences in Negros Oriental, Cebu, and Siquijor, the Youth Advocates Through Theater Arts (YATTA) of Dumaguete City joined groups from Manila, Bicol, Ozamis City, Leyte, Baguio, and Ifugao at the 2015 PETA Children’s Arts Festival held last May 29-31, 2015 at the PETA Theater Center in Quezon City to regale the Manila audiences as well as festival participants. This was part of the PETA Advocate Right to Safety Zones project that seeks to promote positive and non-violent discipline as an alternative to corporal punishment.
Directed by Nikki Cimafranca, the musical was written by Junsly Kitay based on a PETA play Rated PG authored by Liza Magtoto. Lauded by many in the audience was the fine singing of the cast to the original and catchy music used in the play composed by Earnest Hope Tinambacan and arranged by his brother Juni Jay.

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